Here
A public servant putters with a knife
And paints the railing red
Forever, as a mouse
Cracks walnuts by the headstones of the dead
Whose chiselled angels peer
At you, as if their art were long as life.
-Robert Lowell
I remember once standing in a cemetary where a stone angel raised her hand into the air. This person I was with looked about for anyone watching, then snapped the index finger from the angel’s upraised hand. It came off easily and she put it in her pocket later to add to her collection.
This must have been an offensive act. When I asked her, she said simply that the angel, raising its hand so poiusly toward heaven, deserved to be taken down a peg or two. (Those may not have been her exact words.) I guess she was right - the angel was certainly being snotty and, let’s face it, the gesture was beautiful. One tiny but fatal flaw in all that perfect white stonework… yes it was offensive, but a calculated and brilliant offense.
Now, when I think about it, I see that breaking the stone angel’s finger was her own way of reaching toward heaven, and one no less pious than the angel’s. This makes me smile because I remember her just like that, and I know I’m the same, too. You can say why a million ways, but that’s not the point. The point is that we snapped off every little finger we could find in our minds long before anyone tried it on a real monument. Everything was fair game but Beethoven. Still is.
I wonder, then, if I could nip that finger off myself. I wonder if I ever will.
The question is important, at least to me it is. I know which way I want to decide; but would I, under the harshest possible light, be willing to stand up for it? I don’t know. Perhaps the lack of such a harsh light is reason enough not worry.
Behold through you as bad as the rest,
Through the laughter, dancing, dining, supping, of people,
Inside of dresses and ornaments, inside of those wash’d and trimm’d faces,
Behold a secret silent loathing and despair.
-Walt Whitman